Monsters of Men (Chaos Walking #3) by Patrick Ness

You know the drill by now with series books, right? Go read the first two and then feel free to come back.

This is a big book and I just don't have it in me to go into detail. So here's the skinny: the shiz has hit the fan. Mayor/President Crazypants is all, "I'm going to brainwash Todd, annihilate The Answer and that upstart Mistress Coyle, and wipe out the entire Spackle population all while discussing gold trim options for my new military uniform with the local tailor." Which he pretty much does.

BUT WAIT. We now have a new voice in town vying for attention. Enter Spackle #1017, whom we briefly (thank goodness - can we say creepster) met in the previous book. He is called The Return by the spackle community, who refer to themselves as The Land. And he is on a mission to destroy Todd and pretty much everything else.

Then we have the Determined Though Conflicted and Quite Possibly Dying Viola, who still is being manipulated by the Machiavellian Mistress Coyle and a host of other people. And maybe Todd? She's not sure because - SURPIRSE! - he can silence his Noise now. Which Viola no likey, and she senses that Todd is slowly being brainwashed by the ever increasing power of Mayor/President Prentiss.

So pretty much its non-stop power plays and broken treaties and bombs exploding everywhere while Todd and Viola continue to be separated way more than they (and we) want. It's truly maddening. Add to that the fact that every time the Mayor or Mistress Coyle was mentioned my eyesight turned red and I chanted DEATH! in my head. In a word: Exhausting.

The spackle/The Land was way more fascinating, and less preachy, than I had anticipated. I liked that we see through their point of view in this. They are flawed, they feel a lot of regret and sadness and hatred, they can be bloodthirsty. The inclusion of the spackle, especially given the very early references given to them and the first spackle war, make the series come full circle.

Let it be known that the end of book 1 and 2 was like, Holy Crap! But the end of Monsters was like HO. LY. CRAP. Yes, Kanye Caps to the max. With tears. Lots of tears. And yet it doesn't end sad, so don't let my sob fest deter you if you've been interested in this series up to this point. In fact, I think its the best ending to a series I've read in a loonng while.

4.5 out 5 stars. I can't give it a 5 because of the High Angst Level caused by Todd and Viola's separation and manipulation. I'm pretty sure it aged me a few years.

Book source: Amazon. As in, I proudly own these.

Mockingjay (Hunger Games #3) by Suzanne Collins

Okay if you live in a cave and haven't heard of The Hunger Games and especially if you haven't read Catching Fire than don't bother reading this. Go read those instead.

Sigh.

You guys. It's been almost a year since Catching Fire came out and I, like a million other salivating Americans, have been on the verge of anxiety over the conclusion of this story. Seriously - like, I thought about it all the time. I made up all these different scenarios of what could happen, and what SHOULD happen, and I kind of feel like a Twilight Fan Girl in that regard. I became emotionally attached okay? Don't judge me.

Obviously after so many months longing for some kind of conclusion to this the Worst Cliffhanger Ever That Haunts My Dreams, my expectations might have been just kind of high. Really, haven't I learned my lesson about that by now?

So after having JUST finished it, here is what I think:
I think I want to grab my mom's new carving knives and STAB THIS BOOK REPEATEDLY. And then maybe stab myself repeatedly. Because I just realized how much of a sucker I am for a happy ending a la City of Glass where the characters are beat-up and bloodied and traumatized but they heal emotionally and physically and gain back their hope and the world is bright once more.

Not to say that Mockingjay has a sad ending, because it's not, it's just a SAD BOOK. Seriously -- start to finish it is one big ball of bleakness and despair and misery, blended with some backstabbing and power vacuums and gore of the Grand Theft Auto variety. And considering the storyline of the previous two that is saying something.

Mockingjay opens about a month after Catching Fire ended. Some beloved characters are dead. And everyone else is so messed up by this point that you almost WANT them to die, just so that their misery ends. Talk about Baggage. Baggage, of course, is totally understandable and realistc. Look, it's not like I was expecting rainbows and unicorns and Magical Therapists. But honestly? This was too much for me, all of the sadness. I grew to love these characters, and the ones that survived were such train wrecks that I felt like I didn't even know them anymore. And honestly, it hurt me.

Okay I can't help it, I need to rant for a sec - so SPOLIERS AHEAD YA'LL! Just close your eyes and scroll to the bottom or something if you don't want any Big Secrets revealed.

**SPOILERS COMMENCING**

So, at the end of the last one I cried. Because Peeta was my favorite, and Katniss was so powerless. I figured that Collins probably wouldn't kill off Peeta, but more than likely he'd be tortured and probably brainwashed and maybe Katniss would have to go through another Games to get him back or something. Then, with any luck, she would finally (in a fit of rage) yell at him that she does in fact love him and that he needs to snap out of whatever funk he's in, and he would because he loves her so, and then they would merrily snag the President and toss him off a cliff and make it back home by dinner.

If only.

I guess I was kind of right about the brainwashing. Except it was Ten. Times. Worse. and we don't really see again the Peeta we knew and loved. Katniss is either insane with despair or completely void of emotion. A couple of her breakdowns were actually freaky, and a few others made me weep because really - how much can a 17 year old girl take?

I've always rooted for her and Peeta. He brings such a great balance to her, which I guess she comes to recognize, so yes I was glad she ends up with Peeta, despite his occasionally losing his mind and trying to kill her. Which put a major damper on their relationship, because what happens when the Steady character becomes unsteady? I feel like I can't forgive Collins for damaging him so badly.

So the love triangle fizzled, though my heart hurts a little for Gale. I'm just glad Collins didn't kill either of them off in an attempt to solve the Love Triangle Crisis -- such a cop out. BUT. Katniss never becomes good at showing Peeta how much she cares about him. We only know because of the way she seems to die inside when she thinks he's dead/being tortured/damaged beyond repair. Somehow I needed more from her on that. More communication. As a sign of maturing and learning Love Life Lessons.

And killing Prim? REALLY? That seemed cheap and low. Did Katniss really need MORE reasons for joining ranks of the Living Dead? Since she was already so destroyed at that point it seemed unnecessary to the story. I guess Collins wanted her to be just as crazytown as Peeta. And did anyone feel good about that ending? A few quick paragraphs dedicated to their Scarred Ever After? FOR REAL?! After all we've been through with them! I guess it's happy that they love each other, but it certainly doesn't feel that way. I want to feel that connection again, like the couple of heated moments they had in #2. I don't feel real closure with them. I'm not convinced that she or Peeta ever found peace. Maybe they aren't supposed to. But I don't like leaving the heroine, the fighter and survivor, broken.

Also. I have questions. Oh so many questions . . . What happened on the Peeta Rescue Mission? Did his brain hijack just wear off over time or did Beetee find some kind of cure? What was Gale's family doing the whole time and why were they never mentioned other than that they were alive? Why did Finnick's life flash before Katniss' eyes when he was killed? Why did Katniss agree with Hunger Games v2.0? How was that strategic? Why don't I write these things down as I read them so that I don't forget them when I review the book? I swear.



** END OF SPOILERS**
You can come back now.

So. About a third of the way through I was like, Why does this all seem so weird? And then I realized it's because it feels TOTALLY different than the first two books. There are a variety of "important" secondary characters who come into the picture for like a second so we never get to know them. The pace seems slow and maddening because there seems to be no real objective. The settings are hastily described, as though Collins is rushing through the story so fast that she doesn't have time to describe situations that don't make much sense. Unless they're hospital scenes, because about half of the book takes place in a sterilized room. The characters, probably because they're all emotionally and mentally shredded, often act in ways that don't align with what they would normally do or say. Half the time Katniss is so out of it that I had no idea how much time was actually passing. The plot seemed directionless. The Big Showdown I was expecting was a more of a Major Letdown, which turned into a lot of the What Just Happened moments.

Ugh this is making me exhausted all over again. All day I've been emotionally drained from this roller coaster. I probably should have let more time lapse before writing this. Obviously I'm still wounded. And confused. Now that I think about it, there were a truckload of What Just Happened moments where I had to re-read but still didn't get it. Although it might have something to do with me being in such a rush to see What Happens that I kind of gloss over some details. Hm. Obviously I need to do another read of it. That usually helps. Or maybe Collins can take more time doing revisions.

You probably think I hated it after all that. Actually I did like it (unless I was hating it), but I was so sure that I would LOVE it. I was so sure I would close the book thinking, I can't start a new book because I want the taste of this one to stay a while longer. Instead I was like, Where's the Prozac when you need it? But I guess it did what it was set out to do - finish a war. And wars have steep costs which, in real life, aren't ever healed. I just usually expect more hopefulness in my YA lit, but there I go with my expectations again.

My recommendation is to read it (sans expectations of it being the same calibar as the first two), but find a way to stimulate some endorphins before, during and after. Trust me, if you love these characters like I do, you'll need all the Happy you can get.

The Ask and the Answer (Chaos Walking #2) by Patrick Ness

If you haven't read The Knife of Never Letting Go and you intend to, you may as well skip this one. It'll be fairly boring anyway, seeing as that I really liked it.

Ask picks up about where Knife left off. Mayor Prentiss has beaten Todd & Viola to Haven, Viola was shot and Todd promised to do whatever the Mayor Satan wants if he'll only help Viola. So a deal is struck.


And you know what they say about deals with the devil . . .



Like many a human, I am often disenchanted with Book Two of trilogies. They usually suffer from a drawn-out story stuffed with fillers and maddening subplots and the like. The Ask wasn't that different, other than it was still well written. The beginning and middle seemed slow, largely because Todd and Viola are separated. There were things going on, but it wasn't the constant On The Run pace that made Knife so gripping. Pretty much the first 3/4 of it had me seething at Todd and Viola's separation. Half the time they aren't sure if the other is alive, and then the few times that they are able to have clandestine meetings they still aren't sure if the other hasn't been brainwashed into joining the other side.

This had two major effects on me.
1) I was going out of my mind with frustration and rage at all the people keeping them apart through lies and manipulation, and
2) I ended up rooting for Todd & Viola harder than ever.

I've always loved Todd. But in Ask I LOVE Todd. I think I had some real anxiety about him and the things he goes through, so it kept the pages turning quickly. He grows up in this one, and not just because he technically "becomes a man" when his long-awaited birthday rolls around. He sacrifices, he suffers more loss, he fights to remain good while forced to participate in evil. And he does it all for Viola.

Viola, in her own right, is a strong, smart and admirable heroine. She drove me crazy at times, partially because I felt she was smart enough to see through some of the lies, so I was glad to see her make some hard choices to get back to Todd. Really, I just love them. In Knife they seemed like kids on the run, but in Ask they have a solid bond built on trust and sacrifice and deep caring for the other. I really like where they, as a team, are headed in the end of Ask, so I can't wait for Monsters of Men to be released.


Oh, and I remembered that Viola's POV is brought into the mix. With a pretty little font all her own. I felt that it was a good call on Ness' part since it's an effective way to get to know more about Viola. The downside is that it slowed down the pace, because HELLO she is working in a hospital for a big chunk of it. Not exactly a hotspot of excitement.

You know what else I really liked about this one? The complexity of the evil characters, namely Mayor Prentiss and Davy Prentiss. You're never quite sure of the motivations of the Mayor, and even though you can bet that every word out of his mouth is a lie, he is a master manipulator. By the end Davy is convincingly shown as an abused, brainwashed loser who might not be as sick and worthless as he originally appeared. That, I think, makes for good storytelling. Complex "bad" guys. Straight-up evil is rather boring.

In short, while it wasn't quite as good as Knife, I still loved it. 4 out 5 word-globs of Noise.

Book source: Local library.

The Forest of Hands and Teeth (Audiobook) by Carrie Ryan

There's nothing like a good bout of rage to get you out of your blogging slump. Not that I'm ready to go on a rampage or anything, but I think if I were reading this book as opposed to listening to it on my iPod I would have chucked this book as hard as I could against the wall at the end.

Let me preface.
So, there's Mary. A fairly blah protagonist who lives in a village which is weirdly pretty much the same as the village in the movie "The Village", sans porcupine monsters and Adrian Brody. Also, there are zombies. And a love triangle. Or square, I guess. Anyway, Mary's life has been devastated by The Unconsecrated (zombies); her parents are gone, her brother is distracted and her marriage prospects are Complicated. So she lives with The Sisterhood - like freaky governing nuns with Secrets. A stranger appears from the woods one day, which is kept under wraps but Mary discovers this by accident. Oops. Because supposedly there is nothing out there in those woods except more flesh eating Unconsecrated.

Smells like Dirty Secrets . . .

At first I was feeling it. I'm probably one of the 6 people who actually really liked the movie "The Village" and I am always intrigued by a good zombie flick. I was enjoying the Suspense and Mystery and True Creepiness, and we all know I love me a good love triangle. The narrator bugged me a little because she's monotone, but I get the feeling that Mary would be too since she just so bllecchhh. So it was all okay.

And then I got to the middle.

Mary was becoming more and more obnoxious, what with the Unrequited Love Despair and Obsession With The Ocean. The zombie attacks were becoming depressing, and then . . . then it became REALLY DEPRESSINGER. Seriously. Imagine a night where you do nothing but sit around in your grubby sweats and eat chips and ice cream alone while listening to Dashboard Confessional and then puting in Tristan & Isolde because no one has called or texted you all day and you just continue to feel crappier as the night goes on, and that would be kind of cheery compared to this. Okay I feel myself starting to get worked up -

**Spoiler Alert! Spoiler Alert**

so you better stop now if you want to read this.

Mary becomes more and more hooked on the idea that such a thing as an ocean exists, and since her village is destroyed by The Unconsecrated, she takes her merry band of Love Square and Jaded Brother into the woods, which pretty much dooms them all. The whole first part of the book Mary's all, Woe-is-me-because-my-true-love-is-marrying-my-best-friend - but THEN when she and Travis are trapped for a few weeks in a tree house she's like, I have to ponder on the great mysteries of what lies beyond the woods. And I'm like, Okay but you've got a wonderful loyal boy with you whom you should probably talk to sometimes because he just keeps sacrificing things for you, and you also love him and have ached for him for the first half of this book, remember? And she's like, Ya I love him and I like playing house but we have to leave the tree at some point. And I'm like, True. And she's like, But I think I'll choose the ocean before Travis. And I'm like, WHAT?! WHY?! Because The Ocean can cook for you? and massage you? and protect you and make you laugh and be a good companion AND GIVE THEIR EFFING LIFE BECAUSE YOU ARE A STUPID SELFISH MORON?!?! AARRGGHHHHH!

(panting)
(taking some deep breaths)
**Spoilers Over**

Okay. Obviously, I don't like things turn out in this book. I feel a bit betrayed because YA, while often graphic and sad and dark, is usually more hopeful than this depressing monstrosity. In all fairness though I need to put it out there that Carrie Ryan has written this very well. The story is gripping, and while not always fast-paced, it's always intriguing. The Love Square feels heart-wrenching sometimes, and is always Unjust/Unfair/Frustrating. (Personally, I like Love Triangles because there is always a loser. And while you can argue that everyone loses because they're ridiculous and overly-dramatic and all parties involved retain emotional baggage, there is always one person who walks away with nothing but TWO who walk away with each other. Not so here. In this Forest EVERYONE loses.)

The characters, while nothing out of the ordinary, are interesting and sympathetic enough. EXCEPT MARY. Ugh. I wish she had died in the end. I think I would have liked that better. I know the next book, The Dead Tossed Waves, is about her daughter but I just have no intention of going there because I actually like my life.

2.5 mangled zombie bodies because I wanted to slit my wrists at the end.

Book source: Local library.

The Knife of Never Letting Go by Patrick Ness

Todd Hewitt is the only boy in a town of men. Ever since the settlers were infected with the Noise germ, Todd can hear everything the men think, and they hear everything he thinks. Todd is just a month away from becoming a man, but in the midst of the cacophony, he knows that the town is hiding something from him — something so awful Todd is forced to flee with only his dog, whose simple, loyal voice he hears too. With hostile men from the town in pursuit, the two stumble upon a strange and eerily silent creature: a girl. Who is she? Why wasn't she killed by the germ like all the females on New World? Propelled by Todd's gritty narration, readers are in for a white-knuckle journey in which a boy on the cusp of manhood must unlearn everything he knows in order to figure out who he truly is. Taken from Goodreads.

I checked this out some months ago, but could barely get through the first chapter because it was too . . . weird. After seeing that the third one (yes, another trilogy) is due to come out this fall, and stumbling upon more raves over this book, I decided to give it another go. I think I should address my initial hang-ups, because I think there are others who would shy away from The Knife of Never Letting Go for the same reasons.

First, the language. The voice of Todd, and a handful of other characters, read the way I always imagined The Blue Fugates (you know - the Blue People of Kentucky/West Virginia) would probably sound. Thick southern drawls where creatures are "creachures" and lots of "a-ridin off" and "ain't ya's" and certain men's Noise is IN Different font. This can either be an effective attention-grabber or a jarring distraction - I think it's supposed to be both, actually. I like it. Ness wisely uses language, punctuation (or the lack thereof), and font choice to evoke a certain momentum or emotion. For example:

"And he's grabbing her by the neck with one hand and smashing a cloth over her nose and mouth with the other and as I call out and take a step forward I hear her scream from beneath it and she tries to fight with her hands but Aaron's holding her tight and by the time I've taken my second and third steps she's already swooning from whatever's on the cloth and on my fourth and fifth steps he's dropping her to the ground and Manchee is still in my arms and on my sixth step he's reaching behind his back and I don't have my knife and I have Manchee with me and I can only run toward him and on my seventh step I see him bring around a wooden staff that's been strapped to his back and it swings thru the air and strikes me full on the side of my head with a CRACK . . ."

The Punctuation Rejection works well to keep the scene fast and gripping. Love it.

Initial Hang Up #2: there is this creepy aura about this world Todd lives in. The whole environments feels like the color of the cover - like the way the sky looks when there has been a huge fire. Red-orangey gray without true sunlight, swamps and tumbleweeds and poverty and cruelty. The Noise of the men is usually desperate, bleak, and hopeless. And while Todd hints at some of the things he regularly sees in the Noise of their memories of women, it never gets graphic or offensive.

I think when I did my First Attempted Reading I just wasn't in the mood for something dark and despairing. Now that I've rejected the pleasurable things in life and have begun kicking puppies and making rude gestures to old people I guess this genre is more fitting to me now. Anyway. I found this to be a great read; compelling characters, fast-paced storytelling, gripping suspense and a dash of mystery.

Highly recommended to dystopian/sci-fi fans.

Book source: Local library.